When you first hear the name Drinks On Me, you might expect a party starter – and you’d be right. But for South London DJ and producer Harrison, it’s also a mission statement: inclusive, welcoming, and built on connection.
“I wanted a name that felt inclusive,” he says. “Something open-armed, fun, and rooted in community.”
And that’s exactly what Harrison’s music – and everything he touches – represents. A self-taught producer who first got into music at 14, he cut his teeth learning production with friends, navigating the kind of early setbacks that make you or break you. For Harrison, it made him. After a chat with his uncle made him realise he could pursue music full-time, everything clicked – and Drinks On Me was born.
His signature sound? A punchy mix of low-end bass and emotional melodies he sums up as: “Bass in your toes, tears in your eyes.” It’s a sound that hits just as hard on the dancefloor as it does in your headphones at 3am. It also speaks to the careful balance Harrison strikes in his work – high energy for the clubs, but always layered with feeling and storytelling.
But what really sets him apart is what he builds around the music.
Drinks On Me
The Healing Process
One of the most exciting grassroots events in London right now is Harrison’s own: The Healing Process. Forget hype lineups and ego-driven bookings… this night is about connection, community, and creating a safe, thoughtful space where people come to actually feel good.
“It’s about how the whole night feels – from the door staff to the glow sticks to the crowd,” Harrison explains. “It’s not about big headliners or profit, it’s about building a music-minded audience that truly listens.”
Everything about The Healing Process is intentional, from the artists selected (often underrated gems who deserve a spotlight) to the way the event fosters a sense of shared energy between performer and crowd. The goal? Make people feel seen, heard, and looked after.
“There’s a gap in nightlife right now. People crave real experiences – not just parties. So that’s what I’m trying to create.”
Behind the decks at The Healing Process
Beat Battles, Collabs & Pure Internet Gold
When he’s not curating club nights, Harrison is making waves online with his Beat Battle Series alongside longtime friend Rob Southby. The concept: new production challenges every week, all shared online with full transparency.
One recent standout moment? Bringing his nan into the studio to remix It’s Raining Men.
The internet (obviously) loved it.
But for Harrison, it wasn’t just a viral moment – it was about connection. “I wanted her to really understand what I do. For people of her generation, production seems like a mystery. So showing her that world, and letting her be part of it was so special.”
It’s that same spirit of accessibility and openness that defines everything Harrison does, both IRL and online.
Rob & Harrison
What’s Next
The rest of 2025 is set to be huge. Harrison’s scaling back The Healing Process to four standout shows per year, focusing on quality over quantity – and making each one unforgettable.
There’s also a self-released EP coming soon, plus more high-effort content and community work via his Discord server. In classic Drinks on Me style, it’s about building slowly, meaningfully, and with purpose.
His advice to other DJs and creators? “Take yourself out of it. Think about what it would feel like to be a fan of your own work. What would make someone want to belong to what you’re building?” It’s solid advice, and something we really admire.
We can’t wait to see what Drinks On Me does next, make sure to give him a follow and tap into the full world:
Discord
Spotify | Apple Music | SoundCloud
Instagram | TikTok | ️ X/Twitter
